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The title of Lana Del Rey’s third album, Ultraviolence, initially appealed to me because of its reference to A Clockwork Orange by Anthony Burgess, one of my favorite novels. Like the book (and Kubrick’s excellent film adaptation), Lana Del Rey’s newest release is dark and poignant with an essence of the surreal. Burgess wrote A Clockwork Orange in a form of Russian-influenced English, which is important for readers because it acts as a sort of barrier, or protective force, as the disturbing eve... [Read more]

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